Saturday, May 18, 2013

EVOLUTION BEGINS WITH EVE ~ a 1991 essay by Antares



THE GENESIS MYTH yields a rich harvest of illuminating insights. Eve is blamed for the Fall. The Serpent directs his sales pitch at her and she takes the first bite of the Forbidden Fruit which endows her with sudden self-awareness. She offers the Fruit to Adam but as he sinks his teeth into it, God's voice comes booming out from concealed loudspeakers, causing the original attack of Fear and Guilt.

"Gulp!" bleats Adam with a chunk of "apple" stuck in his throat: "She made me do it!" What else can you expect? The scriptures were authored by MEN.

From the evolutionary viewpoint, however, the Serpent is a metaphor for the Vital Force (which yogis call kundalini); and Eve is the principle of curiosity, receptivity, adventurousness. In other words, the spirit of scientific research. What about Adam? He robotically obeys his programming until encouraged by Eve to experiment. But before he can swallow and digest the Experience, he goes into a total funk and tries to pass the buck.

Quite despicable and most unmanly (or should I say unwomanly?) - but fairly typical behavior in male-dominated power politics. To cover up their moral cowardice men perform assorted acts of physical bravado. As a child Saddam Hussein had his cheeks pinched by all his aunts and uncles, but just look at him now: SADDAM! Even his name sounds like the pounding of great big guns.

People used to call George Bush a sneaky little wimp. Not any more: BUSH! and there's a great big crater in the desert. Being extremely horny may be a nice macho feeling - but it's no excuse for rape.

I know two well-circulated feminist jokes. The first is about the astronaut who encounters God in deep space. On his return to Earth he's asked to describe God and he just laughs and says: "Boy, have I got a surprise for you. She's black!" The other joke has it that women are superior to men for the obvious reason that God is a perfectionist who learns from his mistakes; when God decided to create Woman he was a little more experienced.

Consider next the structure of the sex chromosome: females are double X-rated while males result from XY combinations. Geneticists say the Y chromosome is really just a deformed and undersized X chromosome. Sorry, guys, but facts is facts.

Did I hear Harry yell, "Traitor!" Hey, I'm not undergoing a sex change. I'm quite happily male, thank you, and the preceding polemic is essentially a scheme to improve my chances of getting laid. Seriously, though, I do have genetic memories (or at least vivid fantasies) of having lived female lives and I'm convinced that individuals often switch genders in the course of their earthly incarnations. They also tend to experiment with a variety of ethnic and geographic combinations - so let's all hurry up and outgrow racialistic-nationalistic nappy-rash jingoism. It's not so cute anymore.

And while we're at it, let's declare a general armistice in the Battle of the Sexes and put sexism to bed where it belongs. Here, you can wear the pants. I'm quite comfortable in my sarong.

Another aspect of the Feminine Principle that fascinates me is the dramatic transformation that Motherhood brings about: from lithe and slender flowerbud to bulbous huge ripe pear state is an awesome procedure. And when they spring right back to fantasizable size, it's another miracle all over.

I know the institution of Motherhood is sacrosanct (after all it's a vestige of Goddess worship) and it brooks no criticism - but I can't help noticing the psychological stranglehold that so many mothers seem to maintain on their children. Somehow the influence of the Father appears easier to shrug off.

Not in every case, I agree, but the number of middle-aged men and women who can be plunged into depression with just one Christmas phonecall to their dear Momsies far outweigh those who continue to recoil from their Daddy's wrath when they're 45 years old. I'm curious to know what the sons of Deng Xiao-ping or Lee Kuan Yew have to say about this. (Pardon me? Can't hear you, the tanks are too noisy...) which leads me to wonder if humans might not fair better reverting to oviparous reproduction ("Quick, Dicky, the egg's getting cold!"); even so I can picture how some mothers may suffocate rather than incubate their offspring.

Smothering beats mothering! ("Oh oh, here comes Mum with the pillow... mmmpfff!") I can't speak from personal experience on this - but does the pain of childbirth leave permanent scars on a mother's brain, causing her to be ambivalent thereafter about her kids? Perhaps our conventional approach to obstetrics should be thrown out with the bathwater: I have friends who have given birth in a tub of warm water with surprising ease and no complications. And no nightmarish fluorescent lights or forceps or masked strangers who rudely snip your cord and spank you for the crime of being born. Surely we're not all too busy being neurotic to think about a few fundamental issues of life-and-death importance?

Anyhow, I'm of the opinion that Motherhood is vastly overrated: it should be gently phased out soon after the child is weaned (yes, I'm all for breastfeeding but that's about as much mothering as anybody really needs, I think).

Have I shocked anyone? Don't misunderstand: every child thrives on tender loving care and lots of attention unstintingly given. And that must come from more than just one source - especially if that one source happens to take the role of Mother too seriously, too dutifully (and perhaps resentfully too, since she seems to have no choice whatsoever).

My real point is this: anyone of any gender can play the role of Mother for a while. Such a vital role demands a platoon of stand-ins; no one should insist on hogging it. Most clear-thinking and farsighted mothers will applaud this trend of thought. But first, we humans have to learn to let go. Insecurity makes us clingy and possessive. Kahlil Gibran said it best:

Your children are not your children.
They are the sons and daughters of Life's longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.

You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow, which
you cannot visit, not even in your dreams.
You may strive to be like them, but seek not to make them like you.
For life goes not backward nor tarries with yesterday.

You are the bows from which your children as living arrows are sent forth...

Get thee back to the grave, Confucius! Respect for our Youngers is what I preach, and I do try to practice it. Respect, in any case, has to be mutual and spontaneous. Or else it's pure intimidation.

Now, coming back to the idea of Woman as the manifestation of the Goddess. I happen to view ‘chastity’ and 'wantonness' as equally seductive attributes. The Virgin and the Prostitute. Surefire marketing concept, Ms Ciccone aka Madonna. Men, be honest and admit that you desire both these qualities in your women.  Opposites aren't necessarily contradictory; usually they're complementary. Innocence and Experience attract each other. Virgins are still being sold to the highest bidder. Prostitutes work at union rates, negotiable on cold nights. Over here we have a loose woman with tight lips and over there an uptight one with loose lips. Take your pick, brother.

The Goddess is nurturer and destroyer in one. Before the birth of the Cosmos, there was the Cosmic Womb which the Egyptians called Nuit, goddess of Night. Others call it the Primordial Chaos. I call it the Matrix of Infinite Possibilities. Maria or Kali, Fairy Godmother or Wicked Witch: she can soothe and she can torment. Like the calm or raging sea, like life or death, the Goddess is not a static reality. She is not rigid with rationality, though she can be entirely reasonable or unreasonable as it pleases her. 

The practice of automatically assigning God the masculine pronoun Him is disturbing, perhaps even dangerous. Our only chance of making it through these apocalyptic times is to restore the Feminine Principle in our religious reckonings; to acknowledge that the sphere of awareness implies a convex as well as a concave dimension, an inner and an outer form.

And most cogently, to realize that the two are an interchangeable oneness in perpetual dynamic equilibrium. Without this understanding, we shall continue to inherit a world governed by overgrown little boys with dangerous toys.


That's right. Don't you be fooled by that funny mustache. He's got a pea-shooter in his pants. And a hot date with Mae West. Or, as visionary historian William IrwinThompson puts it:

"Civilizations, like the penis, rise and fall, and when the towers and the battlements crumble into the earth, they return to the embrace of the Great Mother."  

Pretty Oedipal, eh?

[Written 6 January 1991 and subsequently published in The Star - with thanks to Masturah Alatas for playing Muse.



Tuesday, May 14, 2013

Monday, May 13, 2013

MALICE IN BOLEHLAND ~ IN GLORIOUS 3D!

Tim Burton describes a scene to Mia Wasikowska who plays Alice

Ever since I saw Mars Attacks  I've been partial to Tim Burton's distinctive approach to filmmaking. As far as I'm concerned, his most magnificent effort to date is Big Fish  (starring Albert Finney, Ewan McGregor, Helena Bonham Carter and Jessica Lange), released in 2003. That's a movie hard to top, the wizardly way Burton mixed magical realism with sheer emotional punch, bringing out some exquisite performances from his cast.


A few days ago I got hold of a DVD of Tim Burton's latest project - a new spin on Alice in Wonderland with some of his favorite character actors (Johnny Depp, Helena Bonham Carter, Anne Hathaway, Christopher Lee) and featuring a fresh and luminous Aussie face named Mia Wasikowska as Alice.


Most of us grew up watching Walt Disney's 1951 animated version of Alice in Wonderland  (I was a year old when it first came out) - so it formed the basis of (apart from John Tenniel's delightful illustrations) our visual reference for the unforgettable characters that popped up from the fertile mind of Charles Lutwidge Dodgson (left) - better known by his nom de plume, Lewis Carroll - as he spun a wonderfully anarchic but mathematically coherent yarn to amuse his young muse, Alice Liddell.

Walt Disney studios contracted Tim Burton to direct a 21st century digitally sexed-up version of Alice in Wonderland sometime in 2007. It's interesting to hear what Burton has to say about his approach to remaking this greatly beloved classic: "It was always a girl wandering around from one crazy character to another, and I never really felt any real emotional connection." His goal with the new movie was to give the story "some framework of emotional grounding" and "to try and make Alice feel more like a story as opposed to a series of events." Burton focused on the Jabberwocky poem as part of his structure. [Source: Wikipedia]

I found Tim Burton's Alice enthralling - though hardly definitive. Indeed I view it as a cogent metaphor for the dysfunctional and absurd political reality we live in.

Under the Red Queen's demented and tyrannical rule, Wonderland becomes Underland - a subterranean dream/nightmare with surreal overtones, where the Jubjub Bird and the Frumious Bandersnatch and the Burbling Jabberwock serve as the Red Queen's law enforcement agencies. Meanwhile a riot squad of playing cards stands ready to quell rebellion with the Underlandish equivalent of tear gas and water cannons - and bloodhounds are blackmailed into the Knave of Hearts's secret service.

In Burton's movie, the helpful bloodhound is named Bayard - but in Malaysia he might as well be called Balasubramaniam.

It's fun trying to match each character in Alice with their symbolic equivalents in Malaysian politics. The Knave represents all the power-craving sleazebags who get off on the vicarious power and privilege of pretending to serve Evil (when, ultimately, all they care to serve is their own vanity). Let's toss out a few names and see how they fit the role. Hishammuddin Hussein? Abdul Gani Patail? Chandra Muzaffar? Zul Noordin? No shortage of knaves in our midst...

In the book and original Walt Disney animated film, the King of Hearts (left) is portrayed as fairly easygoing but totally henpecked by his irascible Queen. I thought the pink-lipped poltroon named Najib Razak would fit the role quite nicely - but, alas, in Tim Burton's version the King of Hearts has been despatched (actually, decapitated on the Red Queen's orders when she suspects he has the hots for her younger sister, the White Queen).

No prizes for matching the Red Queen with a notorious character in Malaysian politics - even though the big hair and big head are the only clues you get. Well, okay, she'd rather be feared than loved... having failed miserably at popularity contests.

The Mad Hatter (adeptly played by Johnny Depp) is a bit harder to match, as he is quite a protean character and cannot really be pinned down.

Part fool, part sage, part shaman, part showman, part salesman, part magician, part politician - the Hatter represents everyone who dreams of overthrowing oppressive rule and tyranny. The Mad Hatter is the voice of the artist-poet-philosopher who embodies our collective dream of freedom and joy and whose inspiring performance of the head-spinning, knee-wobbling Futterwacken dance signifies that all is well in Underland as it is in Heaven - and hopefully on Earth too.

In other words, the Mad Hatter is all of us - bloggers, blog readers, regular commenters on Malaysiakini, candlelight vigilers, anti-ISA campaigners, human rights activists, civil society movers and shakers, former political detainees, wearers of Bersih T-shirts, rabble rousers, impassioned changers of punctured tubes and replacers of blown bulbs... and if there is one person I can name who already plays the role of the Mad Hatter - and does so with flamboyant relish - it has to be Hishamuddin Rais.

The Jabberwock (given voice by Christopher Lee) is depicted as a scary manifestation of primordial evil - a ruthless and indomitable foe that can only be slain by the Vorpal Sword. You could say this nightmarish creature symbolizes a primeval will to wield power over others, to subjugate and dominate through fear and terror. It is a monster kept as a pet by the narcissistic Red Queen who rules Underland with whimsical cruelty and surrounds herself with hypocrites, sycophants and parasites.

To me the Jabberwock represents the mindless brute force of jingoistic demagoguery - the sort of chest-thumping bigotry and provincialism characteristic of so many Umno warlords who have risen to power by fanning the xenophobic flames of racial and religious fanaticism. "Beware the Jabberwock!" is constantly invoked by political shit-stirrers like Ibrahim Ali, Ahmad Ismail, Ezam Mohd Nor, Ali Rustam, Nasir Safar, and Mahathir Mohamad. In effect, Malaysia's version of the Jabberwock is called the Specter of May 13.

It was the bloody beast unleashed shortly after the general election of May 1969 and kept penned up and well-fed by each succeeding Umno regime as a warning to anyone audacious enough to even question Ketuanan Melayu  (Malay Supremacy) - or the necessity of maintaining nine royal households in obscene luxury.


Incredibly, Alice succeeds in lopping off the Jabberwock's head with the Vorpal Sword she retrieves from the lair of the Frumious Bandersnatch (who succumbs to Alice's charms and transforms into an oversized pit bull on which she rides into battle against the Jabberwock).


I take this as an indication that the Royal Malaysian Police may yet be redeemable and restored to proper functioning once a bunch of oversized dickheads roll. Indeed, we the people might even discover that a large majority of the police force is only too happy to help us overthrow the absolutely rotten Umno/BN regime so they can regain their professional pride as police officers and keepers of the law.

As some film critics point out, Mia Wasikowska plays Alice as a mythic heroine in her rite of passage who faces challenges, overcomes obstacles, and emerges triumphant and victorious as a mature woman ready to step out into a larger world. Other reviewers have bemoaned the political incorrectness of Alice Kingsleigh's decision to embark on an entrepreneurial career in China (this was around the period when British business interests introduced opium to the Chinese peasantry to weaken them, before attempting to colonize the country; in the end they settled for a lucrative 99-year lease on Hong Kong).

Yet we have no idea what further adventures may have befallen Alice Kingsleigh as a young woman. Perhaps she bumped into a dashing bloke during a brief stopover in Singapore and ended up as a colonial officer's wife in Selangor; or she might have changed her mind about China and headed to Australia instead, settling in the Northern Territory as the mistress of an aboriginal chief and having a small town, Alice Springs, named in her honor.

Who do I see as Alice in the Malaysian political context? Does she represent a new generation of empowered voters, awakened from political apathy? Is Alice the voice of an assertive educated middle class that chased a white rabbit down an optic-fiber wormhole and gained mind-expanding access to hitherto suppressed information?


For sure Alice is all of this - but I would like to link Alice with a political icon who comes close to being a mythic heroine in real life - Nurul Izzah, daughter of Wan Azizah and Anwar Ibrahim. At 18 Izzah found herself up to her arched eyebrows in political intrigue when prime minister Mahathir arrested her father (the deputy PM) under the jubjubian ISA, accused him of sodomy, and tried to finish him off with a 15-year jail sentence. His daughter sprouted wings and championed her father's cause in the International Court of Public Opinion. At 27 Izzah won an important parliamentary seat on her very first attempt and now serves as the clear, intelligent, compassionate voice of Malaysia's promising future.


Few believed her father would survive this cruel and wretched political exile. However, Anwar was released after 6 years and returned to the political fray with a vengeance, leading a loose coalition of opposition parties to a stunning electoral victory on 8 March 2008 - which should have won them control of the federal government instead of just five states - were it not for massive gerrymandering, last-minute postal votes, and the habitual support of less well-informed voters in Sabah and Sarawak.

Alice Kingsleigh, we learn at the start of Burton's film, is a daughter after her father's heart. As she faces the fearsome Jabberwock alone, she recalls that her father, Charles Kingsleigh, was a visionary who made a habit of believing as many as six impossible things before breakfast. Listing the impossible things she had encountered since her arrival in Underland, Alice arrives at the sixth - "I believe I'm going to slay the Jabberwock!" - whereupon it actually happens.

The Jabberwock's hideous head tumbles down the steps and with the monster's death, the Red Queen loses control of Underland. The White Queen regains power and banishes her wicked sister to the Outlands (because her vows do not permit her to deliberately deprive anyone of life). The Mad Hatter performs his magical Futterwacken dance, initiating the restoration of joy and freedom throughout Underland - and invites Alice to stay on, but she is resolute about returning to her own world where she has unfinished business to attend to - like saying no to an upper-class twit who wishes to marry her.

Tim Burton's White Queen (enchantingly played by Anne Hathaway) is benign, eccentric and greatly beloved. With a touch of black lipstick and some face powder, we could turn Wan Azizah into a Malaysian White Queen.

Tweedledum and Tweedledee (superbly portrayed by Matt Lucas) are truly a classic pair and serve as a symbol for so many apparently dichotomous situations. For me they represent the cacophony of political pundits on both sides of the left-right divide who serve mainly as comic relief.

Nivens McTwisp, the White Rabbit who leads Alice down the rabbit-hole to Underland, reminds me of our civil service: he keeps an eye on the passage of time and performs bureaucratic service to whomsoever happens to be in power.

The Cheshire Cat and Absolem (the hookah-smoking caterpillar) represent the two most prominent aspects of Raja Petra Kamarudin (RPK) - a Houdini-like evaporizer who eludes capture and categorization with ease, as well as a pontificating pundit of hardnosed political gossip.

Both play a very important role in the unfolding of the plot. The Mad Hatter is saved from the executioner's ax by the timely intervention of the Cheshire Cat; and Alice is forced to look within herself to find her true destiny whenever she confronts Absolem.

Her last encounter with Absolem the caterpillar occurs just before he metamorphoses into a pupa; but she recognizes him instantly when he alights momentarily on her in his glorious butterfly form.

Taking a cue from Charles Kingsleigh, Alice's visionary father, let's believe in six impossible things before breakfast - and transform our beloved Bolehland into a veritable Wonderland for all.


ALICE VS THE JABBERWOCKY

[First published 8 July 2010]

Thursday, May 9, 2013

THIS IS THE LAST STRAW, BN... GET THE FUCK OUT OF OUR WAY!

Rally @ Kelana Jaya Stadium, 8 May 2013, to demand that Najib concede to Pakatan Rakyat's electoral victory
Malaysians In Black to mourn the death of clean & fair elections - the only democratic process
available to Malaysians once every five years, and yet they keep cheating!
Overview of the traffic jam at the Kelana Jaya toll
People Power in action. We're thoroughly fed up of BN's misrule by fear & misrule by law!
A carload of "racist Chinese" waving a PAS flag on the way to the rally
This is what the Body Politic looks like on the ground - a bunch of decent humans who value justice
Anwar Ibrahim, icon of Reformasi, hitches a ride to the stadium
Like day & night, the difference between Pakatan Rakyat & Barisan Nazional.
Nobody was paid to attend, no food was served, people freely donated.
This is where Najib Razak belongs. 

[Photos courtesy of Curi-Curi Wang Malaysia]

LAIN KALI LAH? NO FUCKING WAY!
WE WANT THE CROOKS
OUT OF PUTRAKAYA!


Okay, Dr M, you have 5 weeks to plan your escape.
If you stop denying, denying, denying
& indulging in gutter politics...
you might even get another 5 months.

Tuesday, May 7, 2013

Oy, Najib! Is this how you plan to rule the country?


AT GUNPOINT.....?

How long before your hand gets tired?


You won't get any sleep at night...

You'll be much too stressed to service your voracious wife.









She'll soon be sending for some toy boys...




Isn't this a much nicer and healthier option? You have enough cash stashed away to live in the lap of luxury the rest of your lives... far, far from your political foes in Malaysia!

[First published 16 March 2009]