Friday, March 19, 2010

British Parliament: "Quit harassing Anwar and the Opposition!"

Jeremy Corbyn met Anwar Ibrahim on Friday, 19 March; while more Members of Parliament signed the EDM last Tuesday.

MALAYSIA AND ANWAR IBRAHIM
15.03.2010

Labour MP Jeremy Corbyn submitted the following EDM (Early Day Motion) to the British Parliament on Monday, 15 March 2010, and it was passed.


That this House recognizes Malaysian Opposition Leader Anwar Ibrahim's contribution to promoting democracy in Malaysia and peace and understanding between the Muslim world and the West; is deeply concerned at the charges laid against Anwar Ibrahim and that his current trial flouts international standards of fairness and adherence to the rule of law; notes that this trial resembles the one he faced in 1998 in which the conduct of the judiciary was condemned by Malaysians and by the international community; further notes the renewed exhortations by international human rights organizations including Amnesty International and Human Rights Watch and prominent leaders from Commonwealth nations including the Right honourable Paul Martin of Canada and the Right honourable Michael Danby and 59 other elected representatives of Australia for the Malaysian government to drop the charges against Anwar Ibrahim; and calls on the Malaysian authorities to bring an end to the harassment and persecution of members of the political opposition.

Not such a good year for the Tiger...

AFP/Getty Images

Find out more about the Tiger Blogfest 2010 here!





Wednesday, March 17, 2010

Flesh of the Ancestors (revisited)

On 17 March 2010, forty busloads of Orang Asli descended on Putrajaya to air their grievances directly to the prime minister. They were prevented by police from marching to the PM's office, but their strong showing and vigorous protest made the headlines in Malaysiakini. I am heartened to note that the worm has finally turned and that our indigenous tribes are no longer politically passive. As a tribute to their semangat (fighting spirit), I'm reposting this essay originally published here on 29 January 2007...


I can relate to the French painter Gauguin who took a libidinal shine to the native girls of Tahiti. There is something irresistible about bronze, rubbery, supple, brown skin - and the edenic innocence that flashes in their shy smiles. Pagan eyes that turn prudish at puberty, because their mothers keep yelling "Malu!" ("Shame!") when they skinny-dip with ripening bosoms and pubes. Contact with "civilization" taught them to feel ashamed of their own simplicity, made them into "primitives" living below the poverty line.

And yet, seeing a bunch of Orang Asli kids play like otters in the river is nothing less than a glimpse of paradise. You can't stay cynical or depressed in such an environment. The verdant landscape itself is balm for the eyes, as much as the sparkling waters are a treat for the senses.

The Orang Asli soul is bonded with the land, the living earth, nature itself. In mythic terms they regard their wild habitats as the petrified flesh of their ancestors.

Just as Native Americans once revered the buffalo as a benevolent manifestation of Wakan Tanka (Great Spirit), a parental sacrifice to feed the children, the Temuan view each species of flora and fauna as a gift from heaven, as food, medicine, friend, or shelter.

The younger ones have all but forgotten, born as they were into homes with TV sets bombarding all and sundry with images of a Brave New World, where ancient wisdom and traditional ways are dismissed as irrelevancies or mere superstition. But the older ones know there is no separation between the land and life itself.

To destroy nature is to murder the Life Force that sustains all existence - and therefore it is viewed as the ultimate wrongdoing, akin to forgetting one's roots and turning one's back on all that is considered divine.

Well, that's a very general overview of the Temuan mythos, which applies to just about every indigenous culture you can name - at least the ones that haven't been completely assimilated and subsumed by industrial society. However, admiring their resilience of spirit, their innocence, and their wealth of hand-me-down knowledge is one thing. Living with them at close quarters is quite another. They can certainly drive an essentially middle-class, former urbanite like myself round the bend with exasperation.

There seems to be a testosterone-related problem with the males: as soon as they turn 18, a sullen surliness bordering on xenophobia grips them. The modest wages they earn cutting grass on road verges or gathering bamboo for the Chinese towkays are mostly spent getting totally pissed at the local bar; and then they fall off their motorbikes and the rest of their hard-earned pay goes into repairing them. If they happen to be married with kids, their wives quickly turn into nags - because it's not uncommon that their husbands will stagger home late at night stinking of cheap plonk, without any food for the family. Apparently, this happens wherever indigenous "dreamtime" cultures collide with industrial "machinetime" societies. Anthropologists generally agree that the trauma of "culture shock" so disorientates the tribal folk they become dispirited - and therefore attempt to regain their spirits by imbibing vast amounts of the bottled variety.


But as long as our tribal folk have the forest to return to, they have a chance of eventually regaining their psychic equilibrium. My chief contractor on the Bamboo Palace project, Yam Kokok, really enjoyed the process of gathering about 3,000 bertam leaves to weave into roofing material for Anoora's hut. First he built a cozy lean-to while his wife began lining bamboo tubes with fragrant leaves, before stuffing them with rice to boil on a woodfire. The widow Lumoh had packed some salted fish and bottles of clear spring water. They were all set for a long day's work, cutting the thorny bertam leaves and carefully weaving them into attap. Yam Kokok's grandson and nephews all came along to help and I could see that the six days they spent "camping out" in the forest reminded them of the good old days - even though every evening I'd pick them up in my van and chauffeur them back to the village and some home comforts.

The forest is the Orang Asli's briar patch; their racial memory of being sustained by Mother Nature goes back thousands of generations. Chop down the trees and replant the land with cash crops like rubber and oil palm - and the Orang Asli become rootless, disconnected from their own past, insecure about their future and therefore apathetic.

True, some of the younger generation have adapted quite well to video games and factory jobs; a handful of Semai and Semelai have even made it all the way through university, and have become academics and doctors.

A year ago or so I was contacted by three enterprising young Temuans with university degrees. They told me they had stumbled upon my website back in 2003, but waited till they were fluent in English to send me an email! One of them, Shahar Koyok, is a fine arts graduate who's beginning to make his mark in the local art scene; another, Mor Ajani, graduated in multimedia design and maintains a Temuan blog. What deeply gratified me was their passionate interest and pride in their own mythic roots.

It's easy to demonize the Jabatan Hal Ehwal Orang Asli (Aboriginal Affairs Department) but it's really just a case of horribly misaligned worldviews. JHEOA officers, mostly urbanized Malays, scorn their own humble ancestry and sincerely believe they can persuade the Orang Asli to join the mainstream Malay community. Their strategy is two-pronged: first, systematically convert the jungle into plantations, so the Orang Asli can't hide in the past; and then convert these diehard animists into pious little Muslims.

I've long advocated that the JHEOA (instituted in 1954 during the Emergency years) be dismantled, as it serves little real purpose today except to breed the most loathsome varieties of bureaucratic ineptitude and corruption.

Think about it: how would you like being treated as a minor all your life and have some government agency manage your affairs as if you were severely retarded? If everybody else who enjoys Malaysian citizenship is free to live without an official guardian, why must our first peoples endure such an ignominy?

The argument that Orang Asli need a "protector" because they are still largely illiterate and can't cope with the demands of the modern world is a totally spurious one. First of all, after more than fifty years under the JHEOA's thumb, the Orang Asli have gained little ground in mastering left-brained activities like learning to manipulate alphanumeric symbols. The question is: why not capitalize on their strengths instead?

Most Orang Asli are physically agile, imaginative, fun-loving, and possess incredible stamina: in areas like sports and the arts, they would certainly be champs. Well, some descendants of African slaves in America have made their mark as athletes, musicians, actors, and dancers: would you think of Charlie Mingus, Michael Jordan, B.B. King, Eddie Murphy, Tina Turner, Ludacris, or Will and Jada Pinkett Smith as handicapped or backward?

What keeps the Orang Asli insulated from the outside world is the Jabatan Orang Asli's feudal mentality. That and the noxious effects of a patriarchal bias the Orang Asli got infected with along the way. Traditionally, the menfolk have been the hunters and womenfolk, the gatherers and nurturers.

In Kampung Pertak, there are quite a few unmarried mothers - girls of 17 who got knocked up after some smooth-talking fellow handed them a Guinness at an all-night wedding party. With so many kids bawling and crawling around the house, 12-year-old girls are often forced to look after their younger siblings while both parents are out working. By the time they reach 15 or 16, many end up as mothers themselves, which gives them little time or opportunity to grow mentally. So we have generation after generation of Orang Asli kids raised by completely ignorant mothers with little on their minds apart from neighborhood gossip and a bleak view of marital life.

All this would change if teenaged dating was accepted as something perfectly natural. When I first asked my mother-in-law if I could take Anoora down to town and buy her a meal, I was told we would have to be engaged before she would allow it. In other words, the relationship between men and women is always a sexual one; post-pubescent boys and girls simply cannot be friends and go out together. They end up getting married very young, prompted by hormonal surges, and never really have the chance to interact with a variety of friends, of different ages and genders, and therefore lack the means of acquiring communication skills and a broader perspective on things.

Most families in the past slept together in one large room with no partitions - or only very thin ones, at best. Obviously, sex was something carried out under cover of darkness, furtively, quietly (so as not to wake the kids), almost involuntarily - and never became an artform, or developed any degree of kinkiness, as it has in the cities.

I witnessed what happened when a young friend of mixed parentage from the big city started dating a village beauty from Pertak. On their very first secret rendezvous, she had asked if he was going to marry her (that's what he reported). Soon, the whole village was bristling with resentment at the urban Romeo. Even little children, no more than 8 or 9 years old, would taunt him as he drove past; the men in the village became more and more hostile, sabotaging his vehicle wherever he parked it, glaring at him with hands on their parangs. Posses of grandmothers and babes-in-arm would confront him at his rented lodgings in the village, demanding to know where he was hiding the girl. They gave him no peace until he buckled under the pressure and married the girl in a tribal ceremony.

Now the girl in question has had several lovers, and at 18 gave birth unexpectedly to a baby girl while trying to move her bowels, thinking it was one huge stomach upset she was experiencing. As to be expected, she's a lot more savvy and sophisticated than the other girls in the village. She could certainly learn to cope with life in the city, and has actually expressed a desire to someday get a job in KL.

Now, is there any correlation between an active sex life and intellectual curiosity? Remember that biblical myth about the forbidden fruit? Sex, drugs and rock'n'roll (or hip-hop or techno-rave, if you prefer) are definitely evolutionary triggers - that's why the patriarchy everywhere is so determined to outlaw them. What would happen to the Orang Asli if their youth got into sex, drugs and rock'n'roll in a big way?

Soon, they'd become pretty much the same as you and me, don't you think? And maybe that will prompt cityfolks to adopt more of the Orang Asli lifestyle - to reconnect with the earth, with Mother Nature, fresh air and sunshine. Sort of a cultural exchange: they become more experienced like us, and we become more innocent like them. Perhaps that's how things will ultimately balance out, and paradise will be regained on earth.

------
Recommended reading:

Proposed Orang Asli land policy: Planned poverty? [Aliran]

We are also 1Malaysia, says Orang Asli leader [Malaysian Insider]

Tanah Tujuh: Close Encounters with the Temuan Mythos (Silverfish Books, 2007)

UNIVERSAL HUMAN RIGHTS DECLARATION

Universal Human Rights Declaration
by Antares

There are two very basic human rights that are often overlooked. These very basic rights have far-reaching implications affecting the way we look at reality.

THE RIGHT TO LIVE

This right has historically been completely disregarded when those who wield hereditary power have decided to wage war. The military solution to economic, political or ideological conflicts is very rarely justified.

Warmongering is an infringement of humanity’s right to live by its highest ideals. All those involved in war activities - which includes the development and manufacture of death-dealing devices - must be regarded as potential killers.

Their thought-patterns and behavior can be classified as pathological. I would extend this classification to those engaged in commercial and industrial activities that have deleterious long-term effects on the environment - because the right to live implies the right to a healthy natural environment.

The Death Penalty is a vestige of moral barbarism and I urge that it be abolished throughout the world.

THE RIGHT TO DIE


Now let’s look at another basic human right: the right to die. All forms of drug addiction may be regarded as subtle ways to commit suicide. And although we do what we can to discourage people from terminating their lives prematurely, the final prerogative belongs to the individual.

We must respect the right of others to die, if they no longer wish to live. Therefore, I propose that all forms of drug addiction be decriminalized, and that drug addicts be regarded as potential suicides - and since the suicidal tendency is essentially a pathological condition, treatment or therapy must be freely provided to those who seek it.

I would like to see Malaysia’s mandatory death penalty for drug offences abolished. Stringent drug laws only serve to make the illicit drug trade more lucrative for criminal syndicates. Supply will drop dramatically – and, most likely, so will the demand - when addictive substances are available over the counter at regulated prices with the same quality controls as other consumer products.

Drug addiction may not disappear completely, but decriminalizing it will definitely relocate the problem where it belongs - in the medical, sociological and psycho-spiritual context.

[Drafted in December 1990 as a paper to be read out at a Human Rights Day event organized by the Universiti Malaya Law Faculty. Unfortunately, the organizing committee decided to drop me from the list of invited speakers at the last minute, after consulting with their lecturers.]



Tuesday, March 16, 2010

Money A Symbolic, Mutually Shared Illusion

U.S. Economy Grinds To Halt As Nation Realizes Money Just A Symbolic, Mutually Shared Illusion
We are indebted to The Onion for this up-to-the-minute report:

WASHINGTON - The U.S. economy ceased to function this week after unexpected existential remarks by Federal Reserve chairman Ben Bernanke shocked Americans into realizing that money is, in fact, just a meaningless and intangible social construct.

What began as a routine report before the Senate Finance Committee Tuesday ended with Bernanke passionately disavowing the entire concept of currency, and negating in an instant the very foundation of the world's largest economy. "Though raising interest rates is unlikely at the moment, the Fed will of course act appropriately if we.... if we " said Bernanke, who then paused for a moment, looked down at his prepared statement, and shook his head in utter disbelief. "You know what? It doesn't matter. None of this so-called 'money' really matters at all."

"It's just an illusion," a wide-eyed Bernanke added as he removed bills from his wallet and slowly spread them out before him. "Just look at it: Meaningless pieces of paper with numbers printed on them. Worthless." According to witnesses, Finance Committee members sat in thunderstruck silence for several moments until Sen. Orrin Hatch (R-UT) finally shouted out, "Oh my God, he's right. It's all a mirage. All of it - the money, our whole economy - it's all a lie!" Screams then filled the Senate Chamber as lawmakers and members of the press ran for the exits, leaving in their wake aisles littered with the remains of torn currency.

As news of the nation's collectively held delusion spread, the economy ground to a halt, with dumbfounded citizens everywhere walking out on their jobs as they contemplated the little green drawings of buildings and dead white men they once used to measure their adequacy and importance as human beings.

At the New York Stock Exchange, Wednesday morning's opening bell echoed across a silent floor as the few traders who arrived for work out of habit looked up blankly at the meaningless scrolling numbers on the flashing screens above.

"I've spent 25 years in this room yelling 'Buy, buy! Sell, sell!' and for what?" longtime trader Michael Palermo said. "All I've done is move arbitrary designations of wealth from one column to another, wasting my life chasing this unattainable hallucination of wealth." "What a cruel cosmic joke," he added. "I'm going home to hug my daughter."

Sources at the White House said President Obama was "still trying to get his head around all this" and was in seclusion with his coin collection, muttering "it's just metal, it's just metal" over and over again. "The president will be making a statement very soon," press secretary Robert Gibbs told reporters. "At the moment, though, his mind is just too blown to comment."

A few U.S. banks have remained open, though most teller windows are unmanned due to a lack of interest in transactions involving mere scraps of paper or, worse, decimal points and computer data signifying mere scraps of paper. At a Bank of America branch in Spokane, WA, curious former customers wandered aimlessly through a large empty vault, while several would-be robbers of a Chase bank in Columbus, OH reportedly put their guns down and exited the building hand in hand with security guards, laughing over the inherent absurdity of the idea of $100 bills.

Likewise, the real estate industry has all but vanished, with mortgage lenders seeing no reason to stop people from reclaiming their foreclosed-upon homes. "I don't even know what we were thinking in the first place," said former banker Nathan Collins of Brandon, MS, as he jimmyed open a door to allow a single mother and her five children to move back into their house. "A bunch of people sign a bunch of papers, and now this family has no place to live? That's just plain ludicrous."

The realization that money is nothing more than an elaborate head game seems to have penetrated the entire country: In Wilmington, DE, for instance, a collection agent reportedly broke down in joyful sobs when he informed a woman on the other end of the phone that he had absolutely no reason to harass her anymore, as her Discover Card debt was no longer comprehensible.

For some Americans, the fog of disbelief surrounding the nation's epiphany has begun to lift, with many building new lives free from the illusion of money.

"It's back to basics for me," Bernard Polk of Waverly, OH said. "I'm going to till the soil for my own sustenance and get anything else I need by bartering. If I want milk, I'll pay for it in tomatoes. If need a new hoe, I'll pay for it in lettuce."

When asked, hypothetically, how he would pay for complicated life-saving surgery for a loved one, Polk seemed uncertain. "That's a lot of vegetables, isn't it?" he said.

The Onion © 2010

[Brought to my greatly amused attention by Olivia de Haulleville]


Monday, March 15, 2010

Mahathir the Snake Oil Salesman

MALAYSIAN MAVERICK: Mahathir Mohamad in Turbulent Times - Barry Wain's revealing study of Dr M's 22-year term as Malaysian prime minister was published in 2009 by Palgrave Macmillan. The first shipment of the hardcover edition was detained in December 2009 by the home ministry when it arrived in Port Klang.

More than three months later, no formal announcement has been made as to whether the book is banned in Malaysia. As a result local booksellers have held back on ordering the title in case the home ministry confiscates all copies, as it is wont to do with any literature deemed embarrassing to Barisan Nasional.

A group of dedicated souls have now begun to upload in pdf format low-quality scans of Barry Wain's highly readable and well-researched book. This makes the material accessible to anyone with an internet connection, even if it unfortunately deprives the author and publisher of some revenue.

I have just skimmed through Chapter Five of Malaysian Maverick and can attest to the robust quality of Mr Wain's research and the lucidity of his writing style. Barry Wain has done us all a magnificent service by publishing this important work which effectively deconstructs the demiurgic façade carefully and cynically built up by Mahathir's professional spin-doctors.

It only takes a few paragraphs to show up Dr M for what he essentially is - just another snake oil salesman with a terminal case of megalomania, in vigorous denial of his own dark and dangerous side.

Of course, Mahathir couldn't have singlehandedly destroyed the nation's moral core - he was more than ably aided by the archetypal Mafia don, Daim Zainuddin, who subsequently served Mahathir as finance minister.

The first shipment of Malaysian Maverick was finally released by the home ministry a few months after being impounded and copies are currently available at major bookstores.
____
Barry Wain is a writer-in-residence at the Institute of Southeast Asian Studies in Singapore. An Australian journalist who has lived in Asia for 38 years, he is a former editor of the Asian Wall Street Journal. He is currently working on a thematic treatment of Southeast Asia since World War II that will draw heavily on his extensive reporting in the region.


Sunday, March 14, 2010

Get ready to explode when Umno implodes!

Najib was in France a few months ago on undisclosed business. Upon his return the media briefly carried reports of a memorandum of understanding signed with the French government to purchase a multi-billion-ringgit nuclear reactor - along with a French technical team to supervise its installation, operation and maintenance. Thereafter, nothing more was heard about this insane and wasteful scheme. Malaysia sits just above the Equator and enjoys all-year-round sunshine. The obvious way to go is solar, augmented by wind and wave power. Why did Najib agree to such an expensive and dangerous nuclear project (when we have trouble operating even a telephone company and a train service)? Was his arm twisted by the French - who surely are in possession of "sensitive" documents that could undermine his position as crime minister and land him in jail? I don't have time to write an original piece today, so I'm recycling a play review written in August 2003 which concerns Malaysia's secret aspiration to become a nuclear power... scary, huh?



AN UTTERLY HYSTERICAL BLAST!
Antares is radioactivated yet again by Huzir Sulaiman’s masterpiece, ATOMIC JAYA

Since March 1998 when Atomic Jaya first opened at the original Actors Studio Theatre (now reclaimed by the primordial ooze), too many things have gone badly for the world. So when something bucks the global trend of failure, destruction and disaster - when something goes very well indeed – it’s a call for huge celebration and rejoicing.

A sure sign that something is going very well indeed is when you see nothing but cheerful faces leaving their seats at intermission, and there are far more grins than frowns at the end of the show.

Okay, there were THREE members of the audience who made a major show of not enjoying one of the finest satires I’ve seen staged anywhere. Someone whispered that they were from City Hall, there to monitor the performance for offensive, subversive, or pornographic content. After the recent fiasco over its ill-advised attempt to ban the Instant Café Theatre from the city of KL (thanks, Mr Mayor, for speaking out on behalf of good sense and reversing the ban; I insert a round of applause for that silver lining on an inquisitorial dark cloud), it’s understandable that City Hall would be feeling defensive.

Keeping sewers clean, streets swept, and petty traders on their toes isn’t quite as glamorous or exciting as intimidating the fancy-talking faggoty arty-farty fringe. However, what one person labels “offensive” another calls “hilariously honest.” You have to really hate how you look to object so strenuously to your own reflection. Art’s primary function is to reflect our lives. Everyone ought to know that. Certain artistic approaches may work more like distorting mirrors but being able to laugh at your own comical aspects means your ego is healthy and comfortable with itself.


True art is subversive, reclaiming for the individual the power the State constantly attempts to steal. If art is subservient rather than subversive, most likely it’s mere corporate propaganda. And in response to the question of what constitutes “pornography,” all I can say is: “Honi soit qui mal y pense.” Evil to whomsoever thinks evil.

Enough! We won’t allow City Hall to steal the show, no matter how badly it wants in on the limelight. I want this to pass as a review, not just a rave. So how did I like Atomic Jaya’s new incarnation?

Enormously! The original version was more or less a 14-character monodrama: a litmus test of any actor’s ability, agility and nerve, sort of like tightrope-crossing Niagara Falls on a unicycle. This Checkpoint Theatre production features Claire Wong and Huzir Sulaiman on a breezy tandem ride through Bolehland – with crisp digital images meticulously crafted by director Casey Lim and flashed on a paper screen as a kinetic backdrop (the state-of-the-art, high-resolution Panasonic projector produced startlingly clear images). It also has Fahmi Fadzil playing a double rôle as a canteen makcik and patriotic singer.

While the original version was supercharged with manic intensity and a stark, dark surrealism, this new production heightens and broadens the comedy, thus increasing its entertainment value without detracting from the script’s satirical incisiveness. And in any case it’s doubly pleasurable to watch two consummate performers tackle the main characters instead of one.

What gives Atomic Jaya a solid core of substance beyond the guffaws, sniggers and belly laughs is the play’s underlying seriousness as anthropological commentary. The fact that it opened in Kuala Lumpur on August 6th – on the 58th anniversary of Hiroshima, when 80,000 human lives were destroyed by an atomic bomb dropped by the United States Air Force, followed by another over Nagasaki three days later which decimated horrific thousands more – was a grim reminder to us all that we’re still living under a nuclear sword of Damocles (not “umbrella” as some may pretend).

The mind-boggling insanity of squandering trillions on an ongoing program of Mutual Assured Destruction – instead of redirecting every available resource towards the alleviation of suffering caused by simple lack – has its roots in the malignant human ego when it takes on exaggerated nationalistic proportions. Can the laser surgery of sharp-tongued humor excise the tumor of ruinous pride and megalomaniacal ambition? Perhaps not, but weapons-grade satire produces a chain reaction of transcendental consciousness among those it infects with despair-banishing mirth. And even the deadliest strain of militant pomposity cannot withstand well-aimed ridicule, though it will try its damnedest to outlaw and suppress it.

On the strength of the three or four plays (and one short film, That Historical Feeling by the prolific Huzir Sulaiman) in which I’ve seen Claire Wong act, I’d place her amongst the top ranks in both hemispheres. The precision, sensitivity and vitality she infuses into each rôle makes her - like Jo Kukathas, who created the original characterizations - an extraordinary shapeshifter.

Who can forget her Dr Saiful from UKM (“Oh, you are discussing philosophy. Very interesting. For example, ‘Men are from Besut, Women are from Dungun.’ I also like philosophy.”)? Or her thumb-twiddling malapropic minister (“Why should we import the highly enriched Iranian? We already buy the Persian carpet and the Persian cat from the Iranian so they become highly enriched at our expense.”)?

In two seconds flat she visibly gained 200 pounds as former US Secretary of State Madeleine Albright: “We have the might, and we have the right, and we will not hesitate to fight for the right to our might, and our might alone. Ask not what your country can do for you; rather, ask what our country can do to your country.”

But as nuclear physicist Dr Mary Yuen, Claire Wong was 100% the real McCoy. No problem passing her off as a Chinese Catholic girl from Ipoh who just happened to idolize Lord Rutherford, Niels Bohr, Erwin Schrödinger, Max Planck, Albert Einstein, and the entire subatomic pantheon.

Huzir Sulaiman was in top comic form as General Zulkifli (with his classic Napoleon Complex and unforgettable lines like, “I want to get to the bottom of this matter. Until the bottom is reached, the top cannot be happy.”); and the excitable Delhi Polytechnic graduate, Dr Ramachandran (“If you vant to take yumbrage, make sure this taking of yumbrage is correct and prahper. Yumbrage simply cannot be taken at vhim or vhimsy. You vill vaste the yumbrage.”)

He had a spot of trouble getting an exact fix on the extremely sleazy Mr Bala, and his Otto (the low-grade European) could have been further fine-tuned; but he outdid himself as a whole stream of newsreaders from the BBC, CNN and RTM – and as a police officer addressing a group of protestors (all 7 of them) with a loudhailer: “This is an illegal assembly. I order you to disperse. This is your first warning. Tangkap mereka semua.” An immortal characterization in only four lines.

Noraini, the canteen operator at Syarikat Perniagaan Atomic Jaya Sdn Bhd, was played in drag by Fahmi Fadzil (left) who turned in a laudably restrained performance. Fahmi also did a superb job as a nattily besongkoked patriotic song-rendering robot, as instant palm trees waved in the electronically generated background.

Director Casey Lim’s wizardry with digital design is matched by a fine intuition for injecting just the right symbolism with almost subliminal subtlety.

The choice of a solitary hibiscus flower (Malaysia’s national emblem) as central motif was an inspired one. Closeups of the stamen evoked understated phallic imagery and mimicked the mushroom cloud that would later dominate the entire backdrop with chilling effect. From nationalistic egocentricity to testosteronal displays of potency – just by changing camera angles on a hibiscus flower – pretty neat!

When all the elements of a play work together so efficiently (and with such apparent effortlessness) to produce an aesthetically satisfying synergetic gestalt, we are reminded that Creation is infinitely wise and perpetually self-perfecting. So what if the country or even the whole goddamn planet is temporarily in the hands of Sharkey and his perception-challenged henchmen? The vision quest only makes sense and carries any value if it bears the ring of truth – and Huzir Sulaiman’s Atomic Jaya rings true for me.

[ATOMIC JAYA was restaged in October 2008 by students of Sunway University College under the direction of Chee Sek Thim.]