Released four days after the film opened in the U.K., A Hard Day's Night was The Beatles' third studio album and instantly became a chart-topper. I remember the film as a life-changing event. It opened at the Rex Cinema in Batu Pahat in early 1965 and completely knocked my socks off. From that moment I was hooked.
Prior to that, I fancied myself as a bit of a snob. Even though I did hear a few early Beatles hits on the radio ("I Want To Hold Your Hand," "She Loves You," "I Saw Her Standing There") I was inclined to shrug the moptops off as just another passing fad. You see, I was never really into radio music, even if I confess to briefly being a fan of Cliff Richard and The Shadows when I was 11. But Elvis didn't drive me wild and I was more into soundtrack music from epic films like Exodus, Spartacus, Cleopatra and The Magnificent Seven.
I got interested in Broadway musicals after hearing an EP with songs from West Side Story and subsequently acquired a taste for Igor Stravinsky, Tchaikovsky, Bach and Beethoven, before moving on to progressive jazz - specifically the non-swing variety produced by maestros like Dave Brubeck, Charlie Mingus, Thelonious Monk and, later, Miles Davis and Sun Ra.
Watching John, Paul, George and Ringo on the big screen in A Hard Day's Night got me off my musical high horse and made me pay close attention to "pop music." I realized then that the new generation of popular bands in the 1960s were more than mere entertainers - they were harbingers of cultural evolution, prophets of a radical new consciousness, shamans and wizards shaping the dreams of post-war youth across the world.
From Tierra del Fuego to Vladivostok, adventurous pop groups like The Beatles, Cream, The Jimi Hendrix Experience and Pink Floyd were creating a world culture that demolished linguistic, racial, ideological and national barriers - and paving the way for the evolution of a true planetary consciousness.
Wilfrid Brambell as Paul's "very clean" grandfather |
The eleventh Beatles studio album, Abbey Road, was released in late 1969 - but an earlier project, Let It Be, didn't appear till May 1970 because tensions between John Lennon and Paul McCartney got in the way. Soon after that The Beatles dissolved themselves as a coherent musical entity and went their separate ways. I will always respect them for knowing when to call it a day and quit while their music was still strong - instead of forcing themselves into churning out more albums just for the money.
The Beatles turned on a lot of teenaged girls (sexually) and teenaged boys (mentally) |
Brian Epstein (1934-1967) |
George Martin, wizard producer |
What The Beatles did for me was to inspire me to be more myself - to become aware of the vast possibilities of creative synthesis. Their musical output - especially beginning with their seventh studio album, Revolver - began quantum jumping in terms of lyrical and musical eclecticism.
The Beatles were adventurous in that they experimented with altered states through cannabis, mescaline and LSD - and were able to incorporate their expanded consciousness into their artistic vision. In so doing they became cultural messiahs to subsequent generations, leading them beyond the rigid dogmatism of tradition and offering them a vivid glimpse of a hipper, funkier, more psychedelic version of the Promised Land.
[First posted 16 December 2011]